a5c7b9f00b 10 years after the events of "Rise", Caesar remains happy in peace being the leader of an ape armada. Now sure that the humans are no more on Planet Earth due to the Simian flu the humans have passed on. Then they are proved wrong when a small group of humans encounter the apes in the forest. Caesar attempts to make peace with them only if they follow the rules. But Koba, one of the apes makes an attempt to kill the group of humans. This act of treason alerts an entire army of human survivors and the war for peace begins. But this is the question that all are asking: Will the humans reign supreme or the apes?
A growing nation of genetically evolved apes led by Caesar is threatened by a band of human survivors of the devastating virus unleashed a decade earlier.
Clearly one of the best movies of 2014 by a mile. Ceaser has been given a whole new personality and its incredible. The movie direction achieves a perfect balance of emotion, action and betrayal. Never thought Koba of all would play a vital role. The character development is aced there too. <br/><br/>Other actors do a decent job of keeping the audience on edge. But the screen time given to the apes is what keeps the movie going at a great pace. Oh yes and great CGI effects.<br/><br/>If you liked the first one this one is not be missed. This is the summer blockbuster we were all waiting for. <br/><br/>All Hail Ceaser!
An intelligent blockbuster. This may sound like an oxymoron. But the idea that big budget blockbusters have to be purely visceral experiences with little to offer in terms of cerebral and emotionally intelligent content has been encouraged by the kind of films that have been successful at the box office of late. The financial success of films like the Transformers franchise seem to indicate that audiences have developed a palette for mindless action and crave for more films of such type. The studios have no qualms providing more of the same. So, it is pleasantly surprising to say the least when a studio decides to spend a decent amount of money to make a film that issmart and engrossingthe latest installment of the Planet of the Apes franchise. What filmmaker Matt Reeves has accomplished with Dawn of the Planet of the Apes is nothing short of spectacular. He has created a stellar motion picture, which is very elegant in its handling of difficult themes and complicated emotions that one might not expect from of this nature. The story has a dramatic arc that is positively Shakespearean in its handling of the primary characters and the screenplay is literate enough to provide even the smaller characters with moments that help us understand what they bring to this world. The script allows the audience to understand the motivations of all characters and makes it difficult to establish the dichotomy of good and bad/right and wrong. So assured is the filmmaker that he does not shy away from making several ambitious allegories about race relations, historical incidents and social psychology. Not once does any of this backfire. The resultant is a powerful and engaging motion picture experience With the messy and moody origin story out of the way 'Dawn' has more room to explore the conflicts that lie at the heart of this franchise. 'Rise', while a good film had several issues relating to the science fiction aspect of the overall story arc of the apes franchise. But, it laid the foundation for what happens in this film. Being liberated from the constraints of explaining how the world in which story transpires came into being the script is able to breathe anda result the characters here seem more rounded here than they did in 'Rise'. It is not a great secret that this newly rebooted franchise intends to slowly lead up to the events of the original 'Planet of the Apes' film from 1968 so the eventual outcome is never really in question. But, the wonderful treatment of the material and Reeves' superb direction in particular make the journey to that point seem so evocative and poignant. On the acting front, motion capture expert Andy Serkis is definitely the one who walks away with top honours. The man responsible for bringing memorable characters like Gollum and King Kong to life breathes into Caesar a magnificent complexity and emotional heft that is breathtaking. Caesar is the heart of the film and Serkis makes it impossible look away every time he is on screen. Matching him beat for beat, is Toby Kebbel's terrifying and intense portrayal of the embittered Koba. It's hard not to understand the character's point of view primarily because of Kebbel's rendition of it. Among the human characters Jason Clarke's Malcolm is a definitely step up from James Franco's Will from 'Rise'. There is enough dramatic weight in the actor's portrayal to give the character an emotional weight that provides a fascinating human counterpart for Caesar. Gary Oldman's Dreyfus is an underdeveloped character who has very little screen time and it would appear that the versatile actor was only offered the role to make the character appear a little meatier than it is on the page. The Apes in this film are a stunning amalgam of art and technology. Not for a moment do they appearif they are creations of a computer. Their movements, their facial expressions are rendered with such flawless execution that it is amazing to watch. The motion capture technology employed here has been developed by WETA digital and they have really pushed the envelope here with their fine work. This film represents a unique achievement in filmmaking in the sense that it is in this writer's opinion the perfect chimera of modern digital cinema and old fashioned drama heavy story telling. 'Dawn' is at times a dark and unrelenting motion picture; there is very little comedy here to provide padding to the serious content of the story. It makes the story tighter and lets the filmmaker make a film that's to true to his vision and not pander to any section of the audience to make the film more accessible.
It may lack its predecessor’s lofty ambitions, but once the bullets, spears and hairy fists start flying you’ll be too wrapped up to care.
Between the events of Rise of the Planet of the Apes and Dawn of the Planet of the Apes, the Simian flu decimates humankind. You can see this in this series of short films from Motherboard and Dawn of the Planet of the Apes here. The film picks up 10 years after Rise of the Planet of the Apesstated by director Matt Reeves and stars Jason Clarke, Keri Russell and Andy Serkis at San Diego Comic-Con 2013. So the film is set in 2028. Though the trailer says 8 years later, Dreyfus who says the 8 years may have been skipping the first two years and talking about the 8 years that followed. The film's official Website says that the film will take place in 2026 not 2028 like predicted. Also, in the beginning of the movie, a clip is shown of U.S. President Obama making a short statement during the spread of the virus. He would have been President up to 2016 and early 2017, thereby confirming that the movie takes place 10 years after 2016, in 2026. Dreyfus says early in the movie, "We spent 4 years fighting that virus. Another 4 fighting each other…", and Maurice mentions that it's been "Ten winters" since the outbreak and there's been no sign of humans for the last two. So that suggests there's been 2 years of peace among humans. Their exact fate is unknown. It would appear that Will (James Franco) and Caroline (Freida Pinto) from Rise are dead. At one point Caesar returns to Will's house and finds it still decoratedhe left it meaning that Will did not move away before it was abandoned. There is a FEMA sign on the front door (the large, orange X) indicating that either one or both became sick. Only Will is seen in the film and just in recorded footage. During the closing credits there's nothing. At the end of the closing credits, the sounds of apes howling can be heard along with the sound of shifting rubble and another ape gasping for air, which may imply that Koba survived.
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